I have this deck, owned by a local studio manager until recently, when it was replaced by FLAC equipment after thirty five years. (Click on the image for a detailed look):
Being ex-studio gear, it's been maintained on a cost no object basis so the heads are as good as new, the pinch rollers are both as new, every single function works perfectly and all this for £25! It records without stopping if you set it to run in the reverse direction after it's filled the first side, the r/p head doesn't rotate like those in cheaper auto-reverse machines, instead it's a four track head so azimuth can be set accurately for both directions without any compromise and frankly, this thing produces the most stable and consistent recordings this side of the Revox machine I sold when I discovered the cost of a new head for it, complete with plinth and motor,
not available separately.
If the VUs on the Hitachi hadn't faded through standing around under the intense lighting of its original home, this thing could be mint but the point is really that this is the device that proves beyond doubt that cassette tapes are very much a valid medium these days. Many local bands' material has been transcribed to vinyl using SA-X tape source from this very deck and carrying it to the car from the first floor office it lived in - when there was no lift and the handrails on the stair were too far apart for me to hold both - would have been pretty much impossible had the seller of the deck not carried it down the stair for me, he was mobile and had a full collection of fully operating limbs yet even he struggled with the weight of this thing under his arm. Decent tape technology has never been cheaper!
